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In 2013, I started my Ziff Davis career as an intern on PCMag's Software team. Although the game isn’t Deck Verified, it ran at a stable 60 frames per second with few technical issues (outside of some menu hitches during lavish animated transitions).
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Your PC needs at least an AMD FX-8350 or Intel Core Intel Core i5-3470 CPU, AMD Radeon R9 390X or Nvidia GeForce GTX 660 GPU, 4GB of RAM, and 10GB of storage. Since timing is so crucial in Soundall, you should prioritize frame rate while tweaking settings. Since levels are procedurally generated, once you’ve played one level in a biome-from forests to beaches to volcanoes-you’ve basically played them all. However, as with other aspects of the game, there’s a lack of variety. Despite the 2D overhead perspective, characters and environments are all polygonal, with pleasing lighting and graphical flourishes on attacks. It reminds me of games like Sayonara Wild Hearts and Tokyo Mirage Sessions. The colorful, neon aesthetic blends classic, adventure fantasy with modern, magical pop idol music iconography.
While music is definitely the focus, Soundfall doesn’t forget to look good, too. Team up with local bandmates or via online play. Like any self-respective looter shooter, Soundfall supports four-player, co-op action. Playing specific songs to farm specific kinds of equipment is a fun musical twist on typical loot grinds.Īn easy way to make things more interesting to play with friends. Certain enemies may be weak to certain music genres, and wearing the right armor protects you from corresponding damage types. Minuet weapons heal you, while Requiem weapons do chain damage. Loot may also come with special properties determined by its genre. Melody’s sword, Jaxon’s axe, and Lydia’s bow all call for different tactics. I’m not looking for Hades-style breadth and complexity, but I feel like I saw nearly everything Soundfall has to offer only a few hours into a campaign that can last more than 20 hours.ĭifferent characters at least offer unique, secondary weapons and special attacks. Once I memorized how the few enemy types behaved, I went on autopilot, completing levels through fun, somewhat mindless rhythmic button presses. Think Destiny, but as a twin-stick shooter instead of a first-person shooter. Although they’re patterned after musical equipment, such as keyboards and boomboxes, most weapons boil down to guns with slightly different firing speeds. After the rhythm novelty became second nature, I found myself wanting more weapon variety.
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